Indistinct images are projected onto a large screen, accompanied by inarticulate sounds reverberating across the entire exhibition space. All of these images and sounds are created by disassembling and recomposing algorithmically in real- time from vast amount of video materials that are picked up from the internet continuously over the period of the exhibition. The fragmented videos that provide the visual and acoustic source material are recomposed/reordered based on their respective data of luminance and sound (magnitude/level) to create a sine wave, which means that the original videos are deprived of their meaning, and reduced to abstract elements of light and sound for the construction of a sine wave. While all sounds in the world can be represented through combinations of multiple sine waves, in this work a single sine wave is produced by cutting and connecting large amounts of source material.
Exhibition Vanishing Mesh
Yamaguchi Center for Arts and Media [YCAM]
18 Feb – 14 May 2017
Commissioned by Yamaguchi Center for Arts and Media [YCAM]
black screen, white screen, projector, loudspeakers, computers, display, high speed internet connection and audio interface
The SINE WAVE ORCHESTRA (SWO) is a project that works exclusively with sine waves that was launched in 2002 by Ken Furudate, Kazuhiro Jo, Daisuke Ishida and Mizuki Noguchi. ”The single sine waves, which the participants each play freely without a score or conductor, rise and intricately interfere with each other like thin strings, and ultimately create an ocean of sine waves.” Based on this image, the SWO presents works between and within performances, installations and workshops and invites the public to create a collective sound representation.